Since the time of Michael Cohen, I have been “paying attention” to photos of politicians. Okay Cohen was just so obvious and weird, I had to draw him – I mean come on what was the purpose of that gods-awful check suit he wore sitting outside the courthouse smoking cigars when he was “too busy” to show up in court. I drew him daily for a while, never really getting much better but learning a lot. Joe Manchin was another subject. His neck in particular is very intriguing.
I’ve been working on Stormy Daniels and this amazing photo –
So evocative*, so brilliantly composed, and so brilliantly rendered in b&w by somebody who knows their stuff. The fervor (subliminal violence?) of all the men surrounding her trying to grab a piece of her with their cameras.The arms of her security, forming a protected space around her. That man behind her with the enormous black stone of a camera threatening to bring it down on her.
Ms. Daniel’s face –
This wasn’t where I was intending to go but here I am, and so I’ll stop. I encourage you to think about why a particular photo was chosen, because it’s interesting. Maybe tomorrow I’ll talk about what I thought I was going to say.
- André Kertész and the decisive moment; Caravaggio and his drama and his group scenes with all action directed to the pivotal figure. This is what a degree in art history prepares you for.